About Byline

Byline takes 8th–12th graders on a wild quest for stories left untold in the forgotten corners of history. As they step into the role of a 1930s-era newspaper reporter, students train under Editor-in-Chief, Daniel Schwabauer, who takes students under his wings to teach them everything he knows. Along the way, and before they even realize what they are doing, students learn to write great academic essays!

Award-winning author Daniel Schwabauer, creator of the highly-praised One Year Adventure Novel and Cover Story, fuses journalism with history in this innovative “chronojournalism” course.

Chronojournalism: (n) Reporting on the past, to give readers “Yesterday’s News Today!”

Byline combines writing instruction with intriguing historic people and events to not only equip students with essay-writing skills, but to help them enjoy the journey!

Your student will study the work of great journalists of the past, including:

Rudyard Kipling
Mark Twain
Nellie Bly

Ernest Hemingway
Jacob Riis
James Connolly
H. L. Mencken
Jack London
Joseph Pulitzer
Damon Runyon
Lincoln Steffens
Ida Tarbell
Ray Stannard Baker
Grantland Rice
Russell B. Porter
Mary Ann Shadd
William Allen White
Richard Harding Davis

… and likely be amazed by the power of words to shape history!

Course Philosophy

Journalism trains the mind to write great essays. For years, families have been asking Daniel Schwabauer to create a curriculum to teach essay writing. Byline is his answer.

On the surface, a journalism course may not seem to teach academic writing, but the truth is, the skill set required for journalism translates to writing strong essays. It translates so well that it can result in better essays than those produced by students consciously concentrating on the formal essay structure. That the connection isn’t obvious is a terrific asset, because many teens balk at the thought of academic writing, but get them thinking about reporting on fascinating historical events, and they are intrigued.

Read Daniel’s thoughts on this in his own words »

At Clear Water Press, we are known for our revolutionary approach to writing instruction. We turn the refrain “What’s the point of writing?” around, training it back on students. “What do you think the point of writing should be?” we ask. Or, to put it another way, “What do you want to write about?”

In our flagship curriculum, The One Year Adventure Novel, we help young writers uncover the secrets of storytelling in the stories they read, watch, and write. In Cover Story, our middle school curriculum, we harness students’ hobbies and interests to walk them through creating their very own themed magazine. There is more of storytelling in good essays than most people know, and certainly many of the skills that go into writing articles for a magazine lay the foundation for academic writing, but in Byline—in journalism—we offer students a direct way to master the scariest of all assignments: the academic essay. And we do it in a fun and altogether fascinating format: We enlist the student as a “cub reporter” in Daniel Schwabauer’s own fictional newspaper, The Metropolitan World.

If your student’s essay writing skills need boning up, why not encourage your student to apply for the open position writing for The Metropolitan World? Together, Daniel Schwabauer and your student will uncover the untold stories of the past.

Skills your student will learn:

CRITICAL THINKING: If you can’t think well, you won’t write well. Writing is about putting thoughts onto paper. Observation, inference, analysis, and interpretation are essential to writing.

SEPARATING FACT FROM INTERPRETATION: Byline inoculates students against propaganda. Propaganda isn’t about telling lies. It’s about creating interpretations of facts. The student who learns to separate fact from interpretation is much harder to indoctrinate.

WRITING INTELLIGENTLY WITHOUT JARGON: Byline challenges the common misconception that obtuse writing impresses college professors. Clear writing is the key. No young writer should have to resort to jargon and fancy-sounding sentences. Byline frees students to write directly and from the heart.

FOLLOWING LEADS: Whether working to uncover a specific story on the orders of the Editor or following a lead of their own, students will discover how an intriguing detail can be a clue to an untold story, submerged in time. Byline offers your student reporter “100 Tips,” about notable, heroic, or bizarre individuals, each designed to be the beginning of a chronojournalism adventure. Learning to conduct research has never been more fun!

SUPPORTING EVIDENCE: Good journalists back up their exposés. So will your student reporter. Byline is a great introduction to the ethics of quality citations. And you know what academic essays require? Citations. With Byline under their belt, students will see citations for what they are: the evidence of first-class reporting.

Byline is 1 High School English credit!

What Does the Curriculum Include?

INCLUDES:

74 video lessons (choose between Cloud video streaming and DVDs)
The Training Manual, a reporter’s instructional book
The Reporter’s Notebook
Teacher’s Guide with simple weekly summaries of what to expect from your student
The Metropolitan World, a printed newspaper of example articles
The Retro Metro, a printed newspaper of historic pieces of journalism

Extra Student Kits include the consumable Training Manual, the Reporter’s Notebook, and the print newspapers.

Video Lessons

All the instruction in Byline is done for you by Daniel Schwabauer, in the guise of the 1930s editor of the fictional Metropolitan World. Byline opens with a How to Use video and a Parents & Teachers video followed by 74 video lessons, each 15–20 minutes long. Students begin with watching a video lesson and then proceed, as instructed, to complete assignments in the Training Manual and Reporter’s Notebook.

Video and audio are high quality, and you can choose between DVDs or a Cloud video streaming subscription. DVD coding is universal, and video streaming is available anywhere with a strong Internet connection, world over. See “Cloud Streaming or DVDs?” »

Cover-Story-DVDs-cover2

Training Manual

More than just another textbook, the Training Manual is written as a series of inter-office memos, notes, training exercises and selected readings—all chosen by the editor of the Metropolitan World for the benefit of his newest cub reporter. The relaxed tone and inside-scoop flavor of the manual invites students on a journey of discovery. The Editor is there every step of the way, so students can confidently write “Yesterday’s News Today!”

Each lesson reinforces and expands on the material in the videos, and a special TIPS section in the back provides over 100 breadcrumbs for interesting story possibilities.

Byline-Teachers-Guide-web

Teacher’s Guide

The Teacher’s Guide contains answer keys and unit tests, but it does more: It provides you, the educator, with week-by-week summaries of what your student is learning. We know you need to support your student even if Daniel Schwabauer is doing the teaching. Byline performs the delicate balancing act of both taking weight off your shoulders and supplying you with the information you need to follow your student’s journey. Each weekly summary is one page long and tells you what creative project your student reporter is undertaking, what that week’s key concepts are, and what to focus on when assessing your student’s work. See “How to Use and Grade Byline” »

+ The Reporter’s Notebook

byline-reporters-notebook-webThe Reporter’s Notebook is laid out to correspond to the lessons on video and in the Training Manual. It helps student journalists separate fact from opinion and encourages observation on two levels. Good writers notice interesting details in stories and in life. But they don’t just notice the details. They also notice their own reactions to those details. The Reporter’s Notebook is designed to help student reporters interpret their findings and observations by organizing them into Questions and Answers. It is also formatted to develop good citation skills—necessary for academic writing at the college level.

The patterns used in The Reporter’s Notebook reinforce the story structures and outlines used throughout the course, building writing habits that will carry over to other types of writing.

+ The Metropolitan World

Byline comes with a high-quality print copy of the Metropolitan World. Written by Mr. S., this newspaper contains examples of every type of story required for the course. Although reading the Metro isn’t strictly required, students may find its stories helpful as models of the various techniques and structures taught in the course.

+ The Retro Metro

Like the Metropolitan World, the Retro is a high-quality print newspaper containing models of the various assignments. Unlike the Metro, these stories are taken from the work of historic journalists such as Mark Twain, Ernest Hemingway, Nellie Bly, Ray Stannard Baker, Grantland Rice, William Allen White, and Richard Harding Davis.

Pieces Your Student Will Write:

Byline reporters write all kinds of pieces for the Metro World, ranging from short press releases and news briefs of 100–300 words to long Op Eds, personality features, sports stories, and narratives of 500–800 words—or more!

Writing assignments are pegged at two different levels, in view of Byline‘s wide grade range, 8th–12th grade. Read about the Flex Projects below!

The 22 varied newspaper pieces student reporters undertake cover the following types of academic writing:

Expository
Descriptive
Persuasive
Narrative

By the end of Byline, your student reporter will have logged over 9,000 words—probably much more! If you pasted all 9,000 words into one double-spaced document, that’s over 37 pages in Times New Roman font!

What Are “Flex Projects”?

Byline may be used for any one school year in grades 8 through 12. As with The One Year Adventure Novel, older students will get more out of the course than younger ones, primarily because they bring more life experience and a more mature understanding of people and history.

To make the course accessible for younger students (most 8th and some 9th graders), six of the 22 writing assignments are marked as Flex Projects. This means younger students do not need to write the actual paper to receive full credit, as long as they complete the readings, exercises, and outlining included in the Training Manual and Reporter’s Notebook.

Byline is divided into six units, with one Flex Project per unit. Students on the Flex Track complete 16 projects/essays by the end of the school year. Older students write all 22. A reporter on the Flex Track will log at least 5,000 words, as contrasted with the 9,000+ logged by older reporters.

Syllabus

Coming Soon!

A downloadable/printable PDF syllabus of all lessons—the concepts covered and the writing assignments—will be available by the Byline release date. You may not strictly need a syllabus to follow the course, since it is self-directed, but the syllabus will be helpful if you need to:

 

  • Adapt the course to a group setting or a different pace (we are happy to help by email and phone as well!)
  • Plan logical breaking points around holidays or special events.
  • Submit information to your student’s advisor/teacher at a charter school.
  • Submit evidence that the course is worth 1 high school English credit.

Read about how to use & grade Byline »

Lessons

Overview of Writing Topics & Concepts:

Note-taking strategies
How to research and keep track of sources
Outlining & creating beats in a story sequence
How to identify angles in a story
The art of a compelling headline and summary
Revising and copy editing

 

1 UNIT 1: WHO

Chronojournalism
Noting to See
Yesterday’s News
Past, Present & Future
Yellow Journalism
Colorful Thoughts
Six Honest Serving Men
Moment of Truth
Finger Writing
Cleriwho?
Close-ups
Wholigans

2 UNIT 2: WHAT

What’s What
Backdrop
Making Change
Upside Down
Just Plain Wrong
In All Seriousness
The Feature
Pyramids
Changing Hearts
Advance Stories
Onesies
Listen My Children

3 UNIT 3: WHEN

Tick Tock
Crossing the Rubicon
You Were There
Sound’s Good
Fairy Dust
Storm-Rage
Man of Action
Seven Wonders
Hurdles
Suspenders
First!
Fired

4 UNIT 4: WHERE

Raking Muck
Contexting
What a Cite
Nellie Bly
Expose
Copy Cat
Pulitzer’s World
“To an Anxious Friend”
The Editorial
Op-Ed
Advice Squad
“My Father’s Suit”

5 UNIT 5: WHY

Black and White
Monster Men
This Means War
October Surprise
Crucible
Lincoln’s Beard
Pursuing Happiness
About Bananas
America for Me
Watchdogs
Story News
Sidebars

6 UNIT 6: HOW

How Now
The Importance of Color
Sport Shorts
The Sports Feature
The Voice of the Teller
Idol of Cheering Millions
Time Traveler
Challenger
Danger, Will Robinson!
Story Flow
Brighteners
Going to Press